Mobtown Laboratories
Microshows

Distilling all the kinetic energy and sonic kaboom of a large venue show into a teeny pint-sized house concert package, behold, the Mobtown Microshow.

Albert Bagman

Microshow
Albert Bagman - Microshow
Scroll Downers - Microshow

Blacksage

Microshow
Blacksage - Microshow

Post Pink

Microshow
Post Pink - Microshow
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The BSide Sessions

Revealing a distinctly intimate story narrated by song and sometimes-rowdy, sometimes-weary aftershow convo.

Guillermo Sexo

The BSide Session
Guillermo Sexo - The BSide Session

The Flying Eyes

The BSide Session
The Flying Eyes - The BSide Session

Divining Rod

The BSide Session
Divining Rod - The BSide Session
 

Post Pink Microshow

The title of Post Pink‘s latest EP, I Believe You, OK, is something that doesn’t get said enough. The victims of abuse are presumed to be liars, to have brought it upon themselves, and any suggestion that a person knowingly got into a dangerous situation is used against them. On “Icky Arnold,” the Baltimore punks adapt a famous fictional version of the latter, drawing on Joyce Carol Oates’ 1974 short story, “Where Are You Going, Where Have You Been,” in which beautiful teen Connie’s covert dalliances at a bar earn her the attention of some unsavory men. But instead of taking her perspective, Angie Swiecicki and Emily Ferrara sing as the titular creep, channeling the predatory mania of his pre-grooming ritual in punchy stabs and leering yowls. You can imagine him in front of the bathroom mirror, like Vincent Cassel or Patrick Bateman; the deviant strut of Post Pink’s guitar takes you right inside the erratic pulse beating in his neck. -Pitchfork

Post Pink joins us in the studio for a Microshow (January 11, 2017).

Credits

Recorded on January 11, 2017 at Mobtown Studios

Vocals by Angela Swiecicki:

Bass and vocals by Emily Ferrara

Guitar by David Van McAleer

Drums by Sam Whitelaw

Produced by Sean Mercer

Mixed and engineered by Matthew Sullivan

Filmed by Sean Mercer and Matthew Sullivan

Edited by Sean Mercer

Photography by Cassandra Robbins