White Life is something of a departure for Jon Ehrens, the prolific and chameleonic singer-songwriter previously best known for indie bands like the idiosyncratic Art Department and the lo-fi Repelican. For one of the first times in his career, Ehrens is sharing vocal and production duties on White Life’s self-titled debut, which was recorded with Chris and Mickey Freeland at Beat Babies, and features several lead vocal performances by his sister Emily Ehrens. But more significantly, White Life is a big stylistic left turn for Ehrens into the world of synths, drum machines and unabashedly pop vocal performances.

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Civilian is Jenn Wasner and Andy Stack’s third full-length album for Merge Records. But it feels more than anything like the continuation of a collaboration between Wye Oak and another duo, brothers Chris and Mickey Freeland of Beat Babies Studio, who began producing the band on last year’s My Neighbor / My Creator EP. The four songs debuted on that EP pointed toward possible new directions for the band, including a wider variety of instrumentation and some of their most lively and upbeat songs to date. Ultimately, however, the ten new songs on Civilian are closer in sound and mood to 2009′s The Knot, another dark and subtle album that gradually unfolds and reveals its charms over several listens.

Holy Holy

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Given that nearly two and a half years passed between the original local release of Baltimore duo Wye Oak’s debut album, If Children, and its Merge Records follow-up, last year’s The Knot, it’d be reasonable not to expect a new record from the band for a while. So it was a delightfully unexpected surprise to hear word of a new Wye Oak record just 8 months after The Knot, even if it’s just an EP. And the 18 minutes of My Neighbor / My Creator are as meaty and substantial as fans should have come to expect from anything the band does, in fact possibly surpassing the band’s last full-length in terms of moment for moment quality.

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I recently mastered a Baltimore compilation for SpliceToday.com. When Zach came to me asking if this is something I’d be in to, I didn’t even hesitate. We love Baltimore bands and the community they enrich, but Baltimore bands covering Baltimore bands! That’s just too good to be true.

Crossing genre lines, this mix tape reflects the beautiful diversity and vitality of the Baltimore scene. Caleb Stine covers Small Sur. Small Sur covers Wheatie Mattiasich. Mickey Free covers Wye Oak. And Wye oak covers Rod Lee. It’s like one big musical do-si-do. We love it! And you can download it for free. Look out for a Volume 2 coming soon!

Here are a few of my favorites:

Little Dreamer f/ Victoria Legrand by Jones (Future Islands)

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Dance My Pain Away by Wye Oak (Rod Lee)

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Two Mantras by Caleb Stine (Small Sur)

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Love those pretty Beach Boys harmonies at the end of Two Mantras! You can just drink it.

The first time I saw the duo of Jenn Wasner and Andy Stack, at a small, half-empty club in Baltimore shortly before the release of their debut album, If Children, will always stick out in my mind as a cherished memory. And it’s not just because their band, then called Monarch and now known as Wye Oak, have since gone on to national acclaim and a deal with Merge Records. More than any me-first bragging rights, I remember that night as the first time I heard several songs that I’ve since fallen in love with an obsessed over, as If Children subsequently revealed its emotional depth and musical ingenuity more with each listen.

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