Austin Tally and Amanda Glasser who are better known together as Silent Whys were in the studio last year with Alex and me. Both are multi-instrumentalists, playing guitar, dulcimer, accordion, lap steel, dobro, banjo, mandolin, organ and drums. And sometimes at the same time when performed live. They play a diverse mix of music ranging from artsy-folk to gospel to avant.

I had the great opportunity to work with them for the better half of last year on their debut album. It came together wonderfully. Austin and Amanda took what they were doing very seriously and it shows in their record. It’s the perfect Friday evening dinner listen or great on a winter’s morning enjoying a great cup of tea.

The record has just been released on Lovasaurus Records and can be purchased here.

Waltz For October

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Lay Me Down

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I had the great pleasure of working with The Manly Deeds on their debut album last spring. The music they play is not that of our time. And it’s remarkably no less. They create a sense of nostalgia without being a novelty. They simply write and perform great music. It just happens to be with traditional folk instruments and sometimes blazingly fast tempos. That and a suitcase drum and many of beards to go around.

The record was recorded entirely live at the Hampden Baptist Church here in Baltimore on a brisk Saturday last March. The recording was amazing. The church (built in 1874) has a vibe. Not to mention some of the best natural reverb this city has to offer. It’s uncanny and you’ll hear it all over the record. Nothing artificial was added in the mix. Speaking of which, Alex masterfully mixed this record and you can sample two of my favorite songs from the album below. Oh the guests are a-plenty. Dave Hadley on pedal steel guitar, Cameron Blake on fiddle and Ruby Fulton on acordian. The record will be available at the CD release show November 23 at Joe². And you can preorder it here.

Hard Times For The Animal Kingdom

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Blacken The Sky

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I recently had the pleasure of working with Ken Kolodner and Brad Kolodner. Otter Creek meshes the musical talents of father and son, the former being a world-renowned player of hammered dulcimer, hammered mbira, and fiddle and the latter introducing his talents with the clawhammer banjo and banjola. This first recording for the duo blends original and traditional Appalachian music performed in a musical, dynamic, and transparent aesthetic with little use of backing instruments. Ken’s played with Helicon (along with Chris Norman and Robin Bullock) for years, not to mention has put out over a half dozen albums with Dorian Records.

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The Manly Deeds came in a week or so ago for their microshow. It was a seriously fun hootenanny! Complete with banjo, acoustic guitar, mandolin, upright bass and three-part harmonies.

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Last Thursday, Secret Mountains stopped in for a microshow. We first heard them when they shared a stage with Kadman and Cotton Jones a few months back and we’d been looking forward to their visit to Mobtown for quite a while. Somehow they fit 5 of their 6 members on to our 6′x10′ faux stage. They stripped down their usual show, re-arranged their songs and pulled together a breathtaking set of old and new originals and wonderfully selected covers.

Kelly seduced the crowd with her haunting voice. Chris held everything together playing impeccably on a small Gretch kit complete with shakers and other various toys. Jake played the MicroKorg, banjo and concertina. Cory played what I call the “crying guitar” as well as bass on one track. And Jeff drew us in with his contrastingly dark guitar playing.

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It’s taken me a few days to digest last week’s microshow with Yeveto. Despite Amy’s “bregnancy prain”, Russell’s 64k memory and Ben’s proposed digital drum kit, Yeveto put on a stellar show. Spinal Tap was known for their “punctuality” – Yeveto should be known for being the most well-rehearsed. And in the best way possible, between arrangement, setup and performance. I can’t thank them enough for being such a well-oiled machine. Oh and playing incredibly moving instrumental experimental film music! Thanks!

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