I used to pretty much write off all artists dubbed “Singer/Songwriters”. It was so overplayed in the late 90s. With Elliott Smith and the look-a-likes. Granted, Smith knew how to craft a song and he clearly had something to say, it just didn’t speak to me.

I imagine Baltimore’s Kadman gets a bit of the “Singer/Songwriter” label as it appears to be David Manchester, the frontman, who writes all the songs. But Kadman is more than just a voice and guitar. Track 2 (Diesel) starts with backwards guitars and verbed-out 10 and 2 (like a clock) panned toms. Then there is some seriously gorgeous reverb and nasty guitar tones which contrasts with the dry-as-a-desert vocals (Wake Up). It works. And works well.

Diesel

This record sounds like it could have been recorded in someone’s living room. The first track (Blue Walls) has some mad hiss and 60hz hum at the start, but in this case it works for me. Is it the guitar? Whatever it is, it feels real. The way music should be recorded. And stellar job on the bass on this track, played by David’s brother Mitch. It’s nice sometimes when melody comes from the bass.

Blue Walls

Lazy Sunday afternoon recovery music. Minimalist shoegaze sleepytime music. It’s vulnerable. It’s not safe. I’m looking forward to giving this record some serious play in the fall. This record works for me. It speaks to me.

Wake Up

More info:
Kadman’s Myspace
Website (you can buy their record here)